Faculty Scholarship
Submissions from 2014
Glyphs From Beyond: Paul Bray’s Gnostic Poetry, Norman Finkelstein
A Womb with a View: Film as Regression Fantasy, Graley Herren
DeLillo Variations: A Contrapuntal Reading of ‘Counterpoint,’ The Body Artist, and Love-Lies-Bleeding, Graley Herren
Flying Man and Falling Man: Remembering and Forgetting 9/11, Graley Herren
Book Review of Amanda E. Herbert, Female Alliances: Gender, Identity, and Friendship in Early Modern Britain, Niamh J. O'Leary
Performance Review | True Crime Voyeurs: “Arden of Faversham” at the RSC, Niamh J. O'Leary
Posthumous Justice for the Walking, Talking Female Dead, Kristen Renzi
Commentaries, Tyrone Williams
Notes Toward An American Avant-Garde, Tyrone Williams
Reginald and Me, Tyrone Williams
Jane Austen Then and Now: Teaching Georgian Jane in the Jane-Mania Media Age, Jodi Wyett
Too Much is Never Enough: Austen’s Texts and Contexts, Jodi Wyett
Submissions from 2013
‘Stations of a Mourner’s Cross’: Samuel Beckett, Killiney, 1954, Graley Herren
The Politics of Identification in Waiting for Godot, Graley Herren
The Return of the Repressed Mother in W. G. Sebald’s Novels, Graley Herren
Working on Film and Television, Graley Herren
Chinese Shakespeares: Two Centuries of Cultural Exchange, by Alexander C. Y. Huang, Niamh J. O'Leary
Safety in Objects: Discourses of Violence and Value—the Rokeby Venus and Rhythm 0, Kristen Renzi
Spirit Books: Promoting Conversation with Picture Books, Trudelle Thomas
Climbing Earth: The spiritual materials of Hank Lazer and giovanni singleton, Tyrone Williams
Hank Lazer, N18, Tyrone Williams
Outsider Ecopoetics: Notes on a Problem, Tyrone Williams
Poem Talk with Thom Donovan and Patrick Durgin, Tyrone Williams
The Crossed-Out Swastika, Tyrone Williams
The Harriet Blog, Tyrone Williams
The Radical and Bourgeois Leftism of Harold Cruse, Tyrone Williams
’To Be Set to Music’: The Rhetorical-Aural Poetry-Dramas of Russell Atkins, Tyrone Williams
Tolerance, Translation and Ecstasy: A Future, Tyrone Williams
Frances Brooke on (the) Stage: Theory and Practice, Jodi L. Wyett
Submissions from 2012
Ambition and Desire: Gertrude as Tragic Hero in Feng Xiaogang's The Banquet, Niamh J. O'Leary
Kathryn Schwarz, What You Will: Gender, Contract, and Shakespearean Social Space, Niamh J. O'Leary
The Field in Review: Textual Studies, Performance Criticism, and Digital Humanities, Niamh J. O'Leary
Andy Fitch with Tyrone Williams, Tyrone Williams
Cross Cultural Poetics Interview, Tyrone Williams
