Faculty Scholarship
Submissions from 2024
Bartleby and Beckett, Graley Herren
Dylan + Art: Rodin, Graley Herren
Dylan + Art: The Gaze (Part 1, Bodies), Graley Herren
Dylan + Art: The Gaze (Part 2, Looking), Graley Herren
Dylan in Cincinnati: 2021 & 2023: Rough and Rowdy Ways, Part 2, Graley Herren
Dylan in Cincinnati: 2021 & 2023, Rough and Rowdy Ways Tour, Part 1, Graley Herren
Dylan in Cincinnati: August 2012, Graley Herren
Dylan in Cincinnati: July 2013, Graley Herren
Dylan in Cincinnati: November 2001, Graley Herren
Dylan in Cincinnati: November 2010, Graley Herren
Dylan in Cincinnati: November 2019, Graley Herren
Dylan Lit: Dana Spiotta (Part 1, Eat the Document), Graley Herren
Dylan Lit: Dana Spiotta (Part 2, Stone Arabia), Graley Herren
Gender Performance, Part 1, Graley Herren
Gender Performance, Part 2: Ricky Nelson, Graley Herren
Poem to Joanie: Liner Notes to Joan Baez in Concert, Part 2, Graley Herren
Sweetheart Like You, Graley Herren
Teaching Chronicles, Graley Herren
The Warfield Cycle: Dylan's Mystery Plays, San Francisco, November 1980, Graley Herren
Shakespeare and Gentrification in Regional Theatre, Niamh J. O'Leary
Submissions from 2023
Creole Trilogy: Yellow Moon, Oh Mercy, and Acadie, Graley Herren
Deferred Dreams: Waiting for Freedom and Equality in Nwandu and Beckett, Graley Herren
Dylan in Cincinnati: August 1989, Graley Herren
Dylan in Cincinnati: February 1998, Graley Herren
Dylan in Cincinnati: July 1999, Graley Herren
Dylan in Cincinnati: July 2000, Graley Herren
Dylan in Cincinnati: June 1988, Graley Herren
Dylan in Cincinnati: March 1965, Graley Herren
Dylan in Cincinnati: November 1965, Graley Herren
Dylan in Cincinnati: November 1981, Graley Herren
Dylan in Cincinnati: November 1992, Graley Herren
Dylan in Cincinnati: October 1978, Graley Herren
Dylannati: Introduction to Series on Dylan in Cincinnati, Graley Herren
Dylan & Obama, Graley Herren
Dylan's Holy Outlaws, Graley Herren
Ekphrasis, Graley Herren
Foster & Poe & Dylan, Graley Herren
Just Like Nina Simone's Blues, Graley Herren
Mr. Tambo & Mr. Bones, Play a Song for Me: Foster & Poe in Dylan's "Nelly Was a Lady" Chapter, Graley Herren
The Prospero of Wonderland; or, Miranda Carroll, Author of Station Eleven, Graley Herren
To Hell and Back: Bob Dylan & Anaïs Mitchell’s Underworld Songs (Part 2: Hadestown), Graley Herren
To Hell and Back: Bob Dylan & Anaïs Mitchell’s Underworld Songs (Part 3: Rough and Rowdy Ways & Shadow Kingdom), Graley Herren
To Hell and Back: Bob Dylan and Anaïs Mitchell's Underworld Songs (Part 1: Blonde on Blonde), Graley Herren
Ultrasound: Time Out of Mind in utero, Graley Herren
Witchy Women & Sketchy Men: Gender Dynamics in The Philosophy of Modern Song, Graley Herren
Introduction: Shakespeare and Contemporary Fiction, Graley Herren and Niamh J. O'Leary
A Midsummer Night's Dream dir. by Elle While (review), Niamh J. O'Leary
Bridging the Gap from the Performance-Based Classroom to Teaching Shakespeare at the Performance, Niamh J. O'Leary
Queering The Winter's Tale in Jeanette Winterson's The Gap of Time, Niamh J. O'Leary
The Almeida's Romeo and Juliet: A Review, Niamh J. O'Leary
Submissions from 2022
Come You Whiffenpoofs of War, Graley Herren
Gypsy Dylan, Graley Herren
Religion and Spirituality: Meditations on Mystery, Graley Herren
Slow Trolley Coming, Graley Herren
Somnicide: Dream Songs as Murder Ballads in Time Out of Mind, Graley Herren
The Art of the Unsaid in Dylan's The Philosophy of Modern Song, Graley Herren
Submissions from 2021
Resurrecting Dying Voices in "Every Grain of Sand", Graley Herren
Our Neighbor Shakespeare, Niamh J. O'Leary and Jayme Yeo PhD
Shakespeare on the Regional US Stage, Niamh J. O'Leary and Jayme M. Yeo PhD
Submissions from 2020
From Don DeLillo to Bob Dylan: An Interview with Graley Herren, Graley Herren
How I Learned to Drive Teaching Tips, Graley Herren
Hungry Hearts and Broken Dreams at the Springsteen Motel, Graley Herren
Shades of Shakespeare in the Queering of Hill House, Graley Herren
Waiting for Godot Teaching Tips, Graley Herren
Young Goodman Dylan: Chronicles at the Crossroads, Graley Herren
Submissions from 2019
Teacher Education: Are we preparing teachers for the learning environments that exist in their schools?, Sally M. Barnhart M.Ed.
The Adventures of Pascal Wanderlust Book 1, Norman Finkelstein
The Adventures of Pascal Wanderlust Book 3, Norman Finkelstein
Buried in the Desert: Unearthing Underground Narratives in Okorafor’s Binti Trilogy, John Getz
Review of Cincinnati Shakespeare Company's Fences, Graley Herren
The Twilight’s Last Gleaming: Dialogues and Debts in Bob Dylan’s "Chimes of Freedom", Graley Herren
From Rigid Regency Sicilia to Musical Bohemia: The Winter’s Tale, Niamh J. O'Leary
Submissions from 2018
“A World of Wake-Believe”: Thoughts On Robert Podgurski’s Wandering On Course, Norman Finkelstein
The Poet Goes for Broke: Orphic Noise, by Patrick Pritchett, Norman Finkelstein
Teaching Literature of Peace and Justice at Cincinnati’s Harriet Beecher Stowe House, John Getz
Libranth: Nicholas Branch's Joycean Labyrinth in Don DeLillo's Libra, Graley Herren
Monstrous Beckett: Viewing Eh Joe through the Peephole of Psycho, Graley Herren
Mythic Quest in Bob Dylan's Blonde on Blonde, Graley Herren
The Marriage of Heaven and Hell: Conor McPherson’s Girl from the North Country, Graley Herren
A Gold Rush Twelfth Night in Cincinnati, Niamh J. O'Leary
Submissions from 2017
Science Fiction as Activism: The Binti Trilogy, John Getz
The Healing Bite of Cancer Satire, John Getz and JoAnn Moser Gibbons
Love-Lies-Bleeding: Self-Portrait of the Artist as a Dying Man, Graley Herren
“The Metaphysical Noir of W. G. Sebald’s Vertigo”, Graley Herren
Review of Lord Denney’s Players’ The Tempest (February 2017, Ohio State University), and Cincinnati Shakespeare Company’s The Tempest (April 2017), Niamh J. O'Leary
The Politics of Female Alliance in Early Modern England, Niamh J. O'Leary and Christina Luckyj
Submissions from 2016
Ohio Journal for Teacher Educator, Sally M. Barnhart M.Ed.
From the Files of the Immanent Foundation, from Part 3, "Code Name: Emma", Norman Finkelstein
From the Files of the Immanent Foundation, from Part 4, “Lucy Rescued”, Norman Finkelstein
Seeing—and Not Seeing—the Faces of the Enemy: Redeployment in Context, John Getz
American Narcissus: Lacanian Reflections on DeLillo’s Americana, Graley Herren
Cosmological Metafictions: Gnosticism in Don DeLillo’s Libra, Graley Herren
Julie Taymor, Niamh J. O'Leary
“‘The Joys and Accessibility of Shakespeare’s Theater’: Notes on the American Shakespeare Center’s Summer/Fall 2015 Season, Niamh J. O'Leary
Submissions from 2015
Nathaniel Mackey: Poetry Terminable and Interminable, Norman Finkelstein
A Course on the Intersections of Science and Technology with Peace and Justice, John Getz
Don DeLillo’s Art Stalkers, Graley Herren
‘The Martiniad’: Nick Shay as Embedded Author within Don DeLillo’s Underworld, Graley Herren
Female Quixotism Refashioned: Northanger Abbey, the Engaged Reader, and the Woman Writer, Jodi Wyett
Quixotic Legacy: The Female Quixote and the Professional Woman Writer, Jodi Wyett
