Antiphonary appears to have contemporary binding, possibly of pigskin, over beveled wooden boards, blind-stamped with heavy metal corner pieces, and five large metal bosses on each cover with elaborate pierced surrounds, nails, and...
View More
Antiphonary appears to have contemporary binding, possibly of pigskin, over beveled wooden boards, blind-stamped with heavy metal corner pieces, and five large metal bosses on each cover with elaborate pierced surrounds, nails, and...
View More
Antiphonary appears to have contemporary binding, possibly of pigskin, over beveled wooden boards, blind-stamped with heavy metal corner pieces, and five large metal bosses on each cover with elaborate pierced surrounds, nails, and...
View More
Antiphonary appears to have contemporary binding, possibly of pigskin, over beveled wooden boards, blind-stamped with heavy metal corner pieces, and five large metal bosses on each cover with elaborate pierced surrounds, nails, and...
View More
Antiphonary appears to have contemporary binding, possibly of pigskin, over beveled wooden boards, blind-stamped with heavy metal corner pieces, and five large metal bosses on each cover with elaborate pierced surrounds, nails, and...
View More
Antiphonary appears to have contemporary binding, possibly of pigskin, over beveled wooden boards, blind-stamped with heavy metal corner pieces, and five large metal bosses on each cover with elaborate pierced surrounds, nails, and...
View More
A sixteenth-century, Spanish antiphonal, Common of Saints. The binding consists of wooden boards and brown leather with metal clasps and bosses. The inner front cover uses a bifolium from a late fifteenth-/early sixteenth-century Spanish antiphonal as a pastedown and front flyleaf. The inner back cover uses another leaf, likely from the same antiphonal. The antiphonal was obtained in Paris by a Xavier alumnus and donated to Xavier University around 1926.
In 2018 Xavier University Library's Digital Initiatives and University Archives and Special Collections, with support from the Digital Media Lab, digitized the fragile bound manuscript using digital photography. Identification and description created by Dr. Sarah Noonan and Dr. Elizabeth Hebbard as part of the Peripheral Manuscripts Project, a CLIR grant project.
View the Complete Antiphonary (.pdf)
